Sculpture
A New Commission
An Update on Number Two in The Edition of The Life-Size Newsboy Bronze
The Meyer Gallery in Utah contacted me about the edition of the life-size bronze Newsboy. Their client wanted to buy one in the edition to honor the Tabor City Tribune and the former editor/publisher Walter Horace Carter. They inquired to see if the Newsboy could be recreated with a replica of the Tabor City 1953 newspaper announcing their winning of the Pulitzer. That is where the idea of changing each newspaper for the rest of the newsboy life-size bronze edition came from.
According to the 1953 Tabor City Tribune newspaper that was sent to me, they were the first weekly paper to receive such an honor and shared it with Whiteville News-Reporter. Both papers were chosen for their crusade against the Ku Klux Klan, quite an impressive and courageous accomplishment, in this artist’s opinion. I am thrilled to be a part of this place in history.
The client sent me a copy of the paper. I had to modify the design of the newspaper so that it would translate to bronze, but was able to keep the look, headline and masthead of the paper. To recreate this paper for the bronze a wax is poured for each of the papers that are a part of the sculpture. There are some under his arm, one in his hand and some at his feet. Each must be carved in the wax to represent the new paper and headline. Here you will see the copy of the newspaper, my marker layout, the wax and how all of that transferred into the details of the bronze papers. Of course the back of the paper remains as I created it with the tribute to Skinney and others based on the historical article written by history professor Vincent Digirolamo.
I am still waiting for photographs of the placement of the sculpture and official comments.
Follow the newsboy category to see more photographs and to read more about Horace Carter, Tabor Tribune and Tabor City. I am happy to announce that there are several articles coming out about this piece of artwork and its placement. I will be interviewed by Press Time on Wednesday. This is wonderful because there are 8 more in the life size edition left for purchase, and I would like to sell them.
I’ll post more about the publicity later.
A Real Dog For a Bronze Boy
My husband and I regularly foster animals for the Homeless Pet Placement League . Basically we take care of the dogs, make sure they are healthy and then take them to the adoption place, Petco on Shepherd on Saturdays. This little gal is Boots, and we have been fostering her for several weeks now.

When she arrived and would come into the studio, she loved to sit next to the Lucas sculpture. I thought it was strange. She would even plop right on his bronze foot. I moved all of her toys and blanket next to Lucas and would joke that Lucas has a dog.
I talked with Lucas’ mom just a few days ago and told her this story. She said that Lucas had always wanted a puppy, but she never got around to getting him one.
My husband said that when the Lucas sculpture leaves the studio to be delivered to his mom, Boots will probably get adopted.
Portrait Bust
A Trip To The Foundry

If you have read my blog then you are familiar with this part of the bronze process. After the bronze is cast and the pieces are welded together I am asked to come to the foundry and look at the metal. Marker in hand I go over the piece and look for any blemishes or things that might need a little work, perhaps some clarification. I like to bring the clay bust with me so that I can compare the two. My apprentice came with me and we had a wonderful conversation with Miguel at the foundry. He is always a delight, and then a quick stop over at Ben Woitena’s studio to see how his work is coming along. I especially enjoyed our conversation as we compared figurative sculpting to the type of work that Ben does. Here is a link to see Ben’s work.
After these minor details are taken care of the bronze enters the patina stage and is mounted. Soon this sculpture will be home.


Jeanine’s Life Mask

Last year when I was contacted by Jeanine’s parents they sent her life mask to me. It was taken when she was about ten years old. They wanted to know if I could cast her image from the mask. I have documented this in the book, “Bringing to Life the Spirit of the Deceased- A Sculptor’s Journey.” It was strange to look into the life mask. It felt like I could look deep into Jeanine. It is also odd… when you shoot a photograph of a life mask or the inside of a mold, you never really can tell if it is something that is concave or convex.

This is a wonderful thing to have. I have included photographs of the life mask, as well as the cast.
Artist Carves History in Bronze


I have been working on creating some new pages to my web site. The newsboy gallery can be found by clicking on the Newsboy category
And I have uploaded pictures of the newsboy placed in Austin. There are no pictures of the number two in the edition, as my client has not given it to his father yet.
I have been sending out press releases about creating the newspaper to match newspapers in history. I’m hoping to sell out the edition of the newsboy, there are eight left, and creating newspapers throughout history. I really would like to see one of these in Buffalo, N.Y. and also one in Washington.
The press release follows.
Newspaper Headlines Through History are Being Carved in Bronze.
Is it not interesting to think about which newspaper headlines stand out in the history of our country? What newspaper headline would stand out in the publication of your own newspaper?
In 2005 Texas based sculptor Bridgette Mongeon was commissioned by the Texas Press Association, to capture an important time in newspaper history—the age of newsboys. You can almost hear the cries of, “Extra! Extra! Read all about it…” from the mouth of the bronze newsboy who is caught in full stride as he hawks his newspapers on the street corner. The artwork, originally created for the Texas State Capitol building, presently resides outside the offices of the Texas Press Association in Austin, Texas. A table-top bronze of the Newsboy was also created as a limited edition art for home or office.
In January of 2007, Ms. Mongeon was contacted by a client wanting to know if the life-size bronze newsboy was part of a limited edition, and if it was available for purchase as a gift for his father, a former newspaper publisher. He inquired if the newspaper that the Newsboy was selling could be recreated to resemble his father’s newspaper capturing the year they were awarded the Pulitzer Prize. The artist created a bronze Newsboy to the client’s specifications, and it became number two of this edition of ten. It will soon be presented to his father. The story of the Pulitzer Prize winning paper is intriguing, but cannot be revealed until after the surprise bronze is presented.
The idea of carving and capturing history in bronze so intrigued Ms. Mongeon that she is committing to do the same thing for the remaining editions of the bronze Newsboys and is presently seeking newspapers and placement for the remaining eight life-size bronze sculptures.
Upon request, the new masthead and headline are painstakingly carved into the front of each paper. There are several papers in the sculpture that need to be changed, there is a newspaper the Newsboy holds, several under his arm, and a stack at his feet. The back of the newspaper remains the same, a subhead line that reads, “In Memory of Skinny and Others.” This was created from a historical article that the artist read about how newsboys would take out an ad in the paper if one of their own died. It is the artist’s way of posthumously recognizing the contribution of the newsboys.
When the artist is asked if there is a specific newspaper in history or place that she would like to see one of the bronzes installed she replied, “I live in Texas but was born in Buffalo, New York. I would love to see a Newsboy placed in my hometown, and if I could pick the place, I would love to see one near the Albright Knox Art Gallery. To have one in Washington D.C. would also be great.” The Newsboy is not Mongeon’s only newspaper related art sculpture. She was also commissioned by the Houston Chronicle to create a small sculpture of Jesse Jones that is given as The Jesse Award to outstanding individuals at the Houston Chronicle.
A writer as well as a sculptor Ms. Mongeon has a heart for journalism and communication and has created an online journal of the entire eight-month process of creating the life-size bronze Newsboy and small Newsboy collectible. The journal extends from research to casting and placement of each of the pieces in the edition. She has added an educational section to help students and teachers learn and teach about art, journalism, history and even politics, all relating to the bronze Newsboy. The journal is rich in online resources for further education. The sculptor expresses a desire to be involved in the education of the children in each area that the Newsboy is placed. “The Newsboy is not only a symbol for the newspaper industry, it is a symbol of the strength of children. These newsboys and girls changed history with their newspaper strike of 1899, which affected the child labor laws. Just because you are small doesn’t mean you can’t make a difference, and this is an important concept for children to learn,” state Ms. Mongeon.
The Newsboy journal can be found at the artists’ web site located at www.creativesculpture.com. If you are interested in one of the remaining editions of the Newsboy and have a headline to match, Ms. Mongeon would love to hear from you and can be reached at her contact form. Then together the publisher and artist will carve history in bronze.
This article/press release can be used word for word. If you would like to interview the artist or require more information for a story please contact the artist.
How Much Money Did Richard Hathaway Make For Others?
Somewhere I heard a quote about how much money Dick raised in his life
time as an auctioneer. Anyone know that answer?
How Did Professor Hathaway Call to Others?
I sent this out to some that new Dick. I have been working on the chapters in the book about Dick and Sarah Hooker was kind enough to reply.
“I picture Dick sitting on the bench at Vermont College hand in the air as if he is beckoning to the person passing by or across the green. Greetings from Dick were not just average hello’s as Sarah Hooker states, “Well, it was more that he had a megaphone with his hands as if to announce whoever it was, but it was personalized—so, for example, he’d say, “Heeeer’s Miss Sunshine herself, Sarah Jo Hooker” or “I give you the goddest of the Adult Degree Program, Sarah Jo Hooker”, or it might be “Here’s Portland Maine’s most renowned druid, Susan Hammond!”–“
A Couple of Questions About Professor Hathaway
I have a couple questions about dick Hathaway.
I am writing the chapters on the sculpture of Dick Hathaway for my book “Bringing to Life the Spirit of the Deceased—a Sculptor’s Journey” and wanted to ask a few questions. Can anyone help?
Can you please give me a few suggestions of things to write instead of etc. In the following statement
While attending his exploratory meeting to discuss my study and this book project he said, “I’m not sure why you are here, we really don’t go together.” I knew his expertise in such things, as social reform, history, (etc). Did not really go with sculpting the deceased but, I was too embarrassed to tell him that I found him absolutely charming and I just wanted to spend time with him. I don’t remember what I murmured; it may have been something like… “Just trying to get to know the professors.”
Also,
I know for the school auctions Dick would find unusual items that he would purchase somehow from obscure places. Artisans from around the world. There was a man that was always at the school auctions with him, what was that mans name, they seemed to get this stuff together. Also from what areas, tribes or countries did Dick get these things?
Also,
Somewhere I heard a quote about how much money Dick raised in his life time as an auctioneer. Anyone know that answer?
Thanks in advance,
Bridgette
Updates on the progress of the sculpture are still being posted at http://dickhathaway.blogspot.com





