There is still much work to be done on the chair. James smooths out the base of the chair to represent wood and then Antoinette painstakingly adds many, many carpet tacks.  We also have a studio visitor.  An intern brings a family Christmas present. OK we might not have gotten as much work done when Daisy arrived, but I really enjoyed having her. 

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot.

James has a lot of time invested into the chair.
Placement of hands, how they interact with the cushion and
many, many carpet tacks. 

I recently lost my dog. So having a visit from Daisy was
extremely nice. 

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot.

My alone time with the sculpture. 

Once again ,we move the praying man higher. This saves me from having to roll around on the studio floor.  The Christmas holiday is upon us and my interns have been very accommodating  God bless them all. I do love my alone time with the sculpture.  It is the time where we get to know each other better.  To meet this deadline I’m averaging 14 hour days.  I stagger the interns but am thankful for all of the time they give me when they could be with their families. Thanks for stopping by to visit the studio, be sure to check your shoes when you leave, you don’t want to track any of this clay home and onto your carpets. 

I can feel the passion in the piece. I hope it translates to others. 
Though the man is still, the folds create movement in the piece. 

I just keep moving around and around the sculpture until
there is nothing else to do. 

There are so many elements to this sculpture. There is the man, the chair, the cushion, the floor, the placement of the hands and arms, and the creases in the chair, the folds in the pants. We keep putting things together and creating and then taking them apart and working on them.

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot.

How is the hand placed on the head? How does the arm
interact with the cushion and the mans body?
What is the mood that we are after?These are things
I continue to work out as we progress.
Dear Lord Please help me to bring
Your spirit into this piece. 
I’m pleased with how things are coming. 
After roughing in the foam cushion I can add the bible
and other hand. Now things begin to come together. 
We are just two weeks away from trying to get approval. 

I love sculpting hands.  I have always loved sculpting them. Interestingly enough, if I am doing a life-size sculpture of someone, it is not only their face that must be spot on, but their hands as well. I have a strong attraction to hands. Is it because touch is so important in what I do?  Someone asked me if I would create a hand sculpting tutorial. I certainly will, and will add that link here as soon as things slow down. 

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot.

The hands start out as just a wire armature. 
I use my own hand as reference.  
Touched.
One of the most important things to me are the casts that I made
of my parents hands.  Both mother and father have gone on to
be with the Lord.  If ever you visit my studio, ask me about
the piece of art I created with these casts and what it means to me. 

OK well not flipping out, it is  more like flipping over.  Another thing that interns help me with is smoothing the clay.  Often times I’ll work late into the evening, adding clay and taking away, and they come in the next day only to have to clean up a mess and smooth out the clay.  Slowly we begin to add the details into the sculpture, the folds are a key to making the sculpture look like it is real and has action.  They take a lot of work.  

Antoinette and Shirley set up a bed for the praying man
and begin to smooth out the details. 
Once the man is flipped we realize there is much to do. 

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot.

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot. I love reference. It is important for me to have something to look at. This shoe reference came from Sears. Yes, I bought shoes so that we could look at their shape.  

I wrap the shoe in saran wrap to keep it from getting dirty. 
You can never have enough reference. Notice the bar that is
holding the praying man up. Though he is in foam with
his head on he is top heavy.  
Fabrication of a rocker. All of the man’s weight will soon be
on this rocker.  

Meanwhile… We had an entire crew working on fabricating a rocker.  

Once the foam is sanded
it is covered with wax and clay.

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot.

Heads are always created separately from the body and then added to the sculpture.  How is it added?  I pound  long rods through the head and body.  Though I am working on it in another location of the studio, the interns are adding wax and clay to pieces, and we are pulling them together. From time to time,  I’ll add the head to the body and step back.  It is necessary to make all of the pieces in proportion to the others. A perfect head that is the wrong size compared to the body is totally useless.  So, I am constantly checking proportions by putting the head on and then taking it off again to work on it.

Originally the chair in the sculpture was going to be created in wood; however, my vendor surprised me with a foam chair. It was ok for positioning, but later another helper would create a wooden chair from scratch.  It was a real team effort on this project.

I’m thinking a lot about the “feeling of prayer, as I search
for the facial expressions of a praying man. 
I’m thinking a lot about the “feeling of prayer, as I search
for the facial expressions of a praying man. 
Slowly we begin to see the
praying man come together.
But where are his feet? 

Today is my birthday and as a gift the foam has arrived to start sculpting on the project. There is still much to be done with the foam. We have to put all of the foam pieces together, shave, and sand down what I don’t want, and cover the foam pieces with wax.

The foam arrives in pieces and must be glued together. 
We all make a mess sanding the foam.
The vacuum gets a good workout. 
Once the foam is sanded it is covered with wax and clay.
Are you seeing it yet? 
With a rolling base and a great looking floor, we
are well on our way to the beginning of this project. 

When you have many interns on a project, there are multiple things happening at the same time.  After roaming and searching for just the right texture for the floor of this sculpted scene, I have found wood that will work.  I prefer to have a wooden base rather than a sculpted base as the floor gets much use from moving things on and off. One of my interns comes in and makes a rolling base for the sculpture and the floor.  James, another intern spray paints the base a brown color. I like to have everything the same color as the clay that I am using. It helps me to see the projects as a uniform piece and offers less visual distraction. I also think it helps the client to see the sculpture.  James also fills in the cracks.

We keep the tree in the studio for a while. There has to be
some aspect of Christmas celebration during this
holiday deadline.  It comes down later when I realize
the interns are getting dangerously close to the drying tree
with the torches!  

Continuing our work on the Praying Man for Dallas Baptist University. You can find their project blog on Blogspot.

Upon my arrival back to Houston, I realize that the next few weeks, which also happen to be holidays, will be extremely busy. I warn my family that I might not be able to do much during the holidays.

We have already planned The Upside Down Christmas Party and Art Show.  It is a tradition for the studio.  We hang the tree from the ceiling, and it is decorated from anything on your person, in your car or found.  The party is pretty much planned, and the visiting artist has their work hung.

The first part of the DBU job takes place in my computer and not in the studio. I’m up in the office on the computer gettings files ready. I know once the party is over we will have our physical materials to create this work of art.

The first job is to create a digital model of the sculpture so that I can have it enlarged quickly.  My traditional vendor for this project is Synappsys Digital Services in Oklahoma, but on such a quick deadline, I decide to use a local vendor.  Mental note: never use a new vendor on a tight deadline.

My job while working in the computer is to sculpt the folds so these will translate into the foam when it enlarged. This will save me lots of time when sculpting.

The chair is also recreated digitally. It was originally going to be milled in wood.  I cannot even list the amount of problems we had in recreating this beloved chair during the holidays on such a tight deadline.  I will end with saying it was with determination and an act of love that this chair came into being.

A digital representation of the praying man used for
milling foam.